1976. San Jorge, Santa Fe, Argentina.

In his recent work, Hernán Camoletto explores the intersection between image, word, and discourse. Drawing, painting, and installation operate as territories for the exploration of recurring concerns: communicability, memory, affections, and loss. His works emerge from observation and from a relationship with different materials and supports, whose singular qualities shape both the process and the final work.

A self-taught artist, he trained through workshops and clinics. In 2007 and 2008, he participated in El Levante, a clinic for reading and critical discussion of artistic practice coordinated by Graciela Carnevale, Mauro Machado, Luján Castellani, and Lorena Cardona. In 2017, he took part in “Presente continuo,” a cycle of six shows / laboratory focused on crossings between visual arts and writing, with Daniela Rodil and Rosario Bléfari, Silvia Gurfein, and Beatriz Vignoli. In 2019 and 2022, he received a creation grant from the Fondo Nacional de las Artes. In 2021, he was a finalist for the Premio Itaú. Since 2007, after being selected through an open competition, he has coordinated the Writing Workshop at Centro Cultural La Colonia, Psiquiátrico de Oliveros, Santa Fe, a role he continues to hold to this day.

Since 2005, he has exhibited both individually and collectively. Among his recent solo shows are “Fábula material,” curated by Analía Solomonoff, at Galería La Toma, Rosario, Argentina, 2026; “La imagen abierta,” curated by Cecilia Nisembaum, at Parque de la Memoria – Monumento a las Víctimas del Terrorismo de Estado, Buenos Aires, Argentina, 2025; and “Hueco Reverso,” with exhibition text by Gabriela Milone, at CRUDO Buenos Aires, Buenos Aires, Argentina, 2025. He also presented “Imagen regresiva,” curated by Florencia Battiti, at CRUDO Arte Contemporáneo, Rosario, Argentina, 2022; “Silencio,” with text by Juan Laxagueborde, at El Gran Vidrio, Córdoba, Argentina, 2019; “Traducción,” curated by Mauro Guzmán, at Mal de Archivo, Rosario, Argentina, 2015; and “Restos nocturnos,” curated by Lucas Di Pascuale, at Museo Genaro Pérez, Córdoba, Argentina, 2012.

Among his group shows are “Cuando el fuego crezca” and “Quiero estar aquí,” simultaneous exhibitions curated by Yuyo Gardiol and held at CRUDO’s Central AFFAIR and Lavalle venues, Buenos Aires, Argentina, 2026; “Qué cosa, la poesía visual?”, curated by Guillermo Daghero, at CCK, Buenos Aires, Argentina, 2023; “Un decir,” curated by Joaquín Rodríguez, at BARRO, Buenos Aires, Argentina, 2021; “Caudal,” together with Gabriel Chaile, Berny Garay Pringles, Alfredo Frías, and Jessica Gómez, curated by Andrea Fernández, at RUSIA Galería, Tucumán, Argentina, 2014; “Terreno baldío,” together with Luciano Burba and Paola Sferco, curated by Guillermo Daghero, at El Gran Vidrio, Córdoba, Argentina, 2014; “Allí, allá, desde Argentina,” curated by Santiago Rueda Fajardo, at Plataforma Bogotá, Bogotá, Colombia, 2012; and “Maratónicos,” curated by Mariano Luna and Moira Aguirrezabal, at Jardín Oculto, Buenos Aires, Argentina, 2009.

He has also participated with CRUDO Arte Contemporáneo in national and international art fairs, including SWAB Barcelona and Pinta Art Miami.

His works are held in private collections in Argentina, Chile, the United States, Canada, and France.

He currently lives and works in Rosario.